It seems that of late, tightly knit art communities have been falling out of fashion in Toronto. As the recklessly jubilant concert goers, interested art admirers, and zealous theatre enthusiasts morph into coolly detached mobs of tepid appreciation, it seems increasingly difficult to find intimate environments where people present are genuinely enjoying themselves. But at 15 Lower Sherbourne, one back-alley venue is changing all that.
Siesta Nouveaux is a one-room venue which houses concerts, live theatre, and art events. As far as acoustics go, it may not be the best, but the exuberance of the performers and guests goes a long way to balance out any sound-quality shortfalls. Largely underpublicized, shows are usually small but packed, with the venue's capacity somewhere around 100 to 120.
Lynne Rafter, Siesta Nouveaux's operator, is a charming presence at every event. A direct change from your usual grim-faced bouncer, Lynne herself is a musician and singer in the band Me and My Scarecrow. Although she may not be intimidating, Lynne has concrete standards for every event in the space. She is a great supporter of live music, theatre, and art, but if you're interested in hosting a private party or borderline rave, Siesta Nouveaux is not the place for you. Furthermore, there are strict rules in regards to underage drinking, and IDs are requested at the door.
Most importantly, Siesta Nouveaux brings democratization back to the Toronto arts scene. Here exists a space that is intimate without pretentious exclusivity, and truly fun. Attending a show at 15 Lower Sherbourne ensures a departure from the sullen antics that have spread like an epidemic through other small Toronto venues (not naming names). The crowd is friendly, accepting, and the other occupants of the building at this artist's co-op will often make an appearance, happy to socialize with visitors. So keep an eye out for Siesta Nouveaux's upcoming events, and remember to bring your dancing shoes out of their dusty roosting place — you're going to need them.

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