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In Conversation With: Moon Point
Creators of the new Canadian comedy talk about shoe string budgets and underachieving young 'uns
"His character arc starts with him being a shithead and moves to the conclusion that he's maybe learning to not be such a shithead," says Nick McKinlay of Daryl, the lead of new Canadian comedy Moon Point. Channeling the incipient sarcasm and small-mindedness of a directionless young adult, Nick plays a guy who decides to pursue his childhood sweetheart (Sarah), a child TV star now starring in a horror movie a few miles away in the small town of Moon Point.
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Attack the Bloc, Pt. 1: Marxists in space
New series at TIFF Bell Lightbox covers Soviet sci-fi from the 60s-80s
You know you're in for a treat when a Willy Wonka-esque Innokenty Smoktunovsky (whose performance as Hamlet was widely praised by critics, including by Lawrence Olivier), appears on the screen to give you the following warning: not only are the events and characters you are about to see real, but that the story has, in fact, happened in the next summer.
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An introduction to China, IL
China, IL takes place in and around the University of China, Illinois (UCI), better known as The Worst School in America for the 112th time in a row. Aside from regular academic bullshitting, the staff and students UCI are prone to facing disaster. The Dean and The Mayor alpha-male it up and put the school on the line as a wager; the science professor accidentally causes a fetus to grow to the point where it overtakes the school; robot copies for each professor stage an uprising; a time-traveling dead president is wreaking havoc upon the very fabric of time.
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#albumreviews
Way to go, Spin
One of the latest ripples in the stale, brackish water of the music blogosphere is from Christopher R. Weingarten of Spin and his post titled "SPIN Reinvents the Album Review: Introducing @SPINReviews" on www.spin.com. Aside from the cocksure title, the post outlines the launch of a new Twitter account that is solely for one tweet long album reviews.
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Great expectations
Can Lana Del Ray live up to her own hype?
The Internet has become the powerful medium it is partially for its ability to instantly pluck someone from obscurity and deposit them in the spotlight. Lana del Rey is someone who can credit YouTube and other social media platforms for her sudden rise to fame.
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Drug lords and beauty queens
Young director’s new thriller envisions a Mexico of hot heroines and lawless kingpins
This may sound crazy to readers, but if a film is not good, the best alternative is an ambitious disaster. You can have interesting discussions about what the director's intent was and how the film could have been better executed. Films like Brian De Palma's Bonfire of the Vanities or Ang Lee's Hulk are excellent examples of ambitious disasters.
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Cine-conomy: the film business in 2011
Another year is over, and it was a big one for Hollywood. Over 1.2 billion tickets were sold, almost 40 every second. The final Harry Potter movie was the top grossing movie of the year, finally ending a beloved franchise that many students grew up with.
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Thin line between art and crime
Dominic Allan's documentary Calvet follows Jean Marc Calvet—a French artist and reformed criminal, as he seeks redemption for his deepest regret—who abandonned his six-year-old son to pursue a life of crime. With his son's 18th birthday approaching, the now reformed Calvet seeks to reestablish contact with him.
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Pina, but not about Pina
An accolade for Wim Winders’ 3D film about German dance legend Pina Bausch
In spite of the esoteric nature of contemporary dance, I have found myself widely (and highly) recommending Pina, the 2011 film directed by German auteur Wim Wenders. My suggestion, however, is often met with a predictable question that I have found myself unprepared to answer: "Well, what is the film about?" At its centre is the life and oeuvre of the late Pina Bausch, a much-acclaimed groundbreaker in contemporary dance— but the film is not about Pina.
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Café de flore: Nothing left but hope
Quebecois director Jean-Marc Vallée weaves stories of self-destructive romanticism
Café de flore, directed by Jean-Marc Vallée of C.R.A.Z.Y. fame, is never less than intelligent and, at its best, is a rapturous experience that lifts the viewer into the film's own fractured bliss. The film follows two seemingly disparate narrative threads: the first is centred on Antoine (Kevin Parent),whom we later find out is a divorcé from his high school sweetheart.
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The bars are alive with the sound of music
Thursday 19 Jan. The Boxcar Boys at Cloak & Dagger (394 College St.): For those who long for the lost days of bands consisting of clarinets, accordions, violins, and sousaphones, check out this band and their mix of early jazz, swing, and folk that sounds like the soundtrack to a speak-easy.
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The thick and tangled history of beards on film
REGINA (CUP) — Let's face it, ladies and gentlemen: beards are awesome. They keep your face warm, give you something to stroke ponderously, and as far as Hollywood is concerned, the simple addition of a magical mane of face fuzz can turn anyone into the biggest badass walking.
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“I liked [that band] before they sold out”
Brace yourselves, the indie purists are coming
If you frequent any entertainment sites/magazines (especially Rolling Stone in this case), you probably know where this is going. Even if you think you live under a rock, if you've been to any off-campus house parties in the last two years, you probably are at least vaguely familiar with The Black Keys.

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